Friday, February 10, 2012

Poetry Friday: Books Around the Table

I want to let readers of THE DRIFT RECORD and contributors to POETRY FRIDAY know that I'll be posting occasionally (once a month) over at a new blog put together by my writing critique group and called BOOKS AROUND THE TABLE. My introductory post went up there today, and it joins the initial posts of fellow children's book writers Laura Kvasnosky, Julie Paschkis and Margaret Chodos-Irvine (all three of them are talented artists - and I struggle making stick figures!) 

I spend some time in my post contemplating poetry, metaphorical thinking, postillons, brass horns, people at the gates to the city, magicians, sleight of hand, doves, indirection, introductions, the Postal Museum in Prague, champagne and writer burn-out. Here's a teaser:

As a poet, I like metaphorical thinking and the sneaky way it makes its point via indirection, in the same way a magician performs sleight-of-hand, making people look at one hand while the other does the actual trick. Look, a dove!

Head over there to get a picture of how BOOKS AROUND THE TABLE came about.

In honor of Poetry Friday, I'm going to post the following poem by Laurie Lee. It continues to be one of my all-time favorites: 

APPLES 

Behold the apples' rounded worlds:
juice-green of July rain,
the black polestar of flowers, the rind
mapped with its crimson stain.

The russet, crab and cottage red
burn to the sun's hot brass,
then drop like sweat from every branch
and bubble in the grass.

They lie as wanton as they fall,
and where they fall and break,
the stallion clamps his crunching jaws,
the starling stabs his beak.

In each plump gourd the cidery bite
of boys' teeth tears the skin;
the waltzing wasp consumes his share,
the bent worm enters in.

I, with as easy hunger, take
entire my season's dole;
welcome the ripe, the sweet, the sour,
the hollow and the whole. 

                            Laurie Lee
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The Poetry Friday round-up is being hosted this week by lovely Laura Purdie Salas at writing the world for kids.  Head over to her blog to see what other people are posting.

Thursday, February 9, 2012

Good People, One and All

Just for the record, I want to say that I have never worked with kinder, brighter, funnier, more creative people than my friends and colleagues at the Vermont College of Fine Arts. And though the stuffed bear probably perpetuates the stereotype of Kiddie-Lit people being a little goofy, I say hell, let's be goofy. Life's short. Beside,s, one of my favorite people in the world is holding the bear, so what's not to love/

Here they are, my friends and colleagues, writers and teachers, each and every wonderful one of them (click to make photo larger.)

VCFA - Writing for Children & Young Adults Faculty, Summer 2012 [Photo: Roger Crowley]

                                                         



















Sitting, left to right: Margaret Bechard, Leda Schubert, Martine Leavitt, Franny Billingsley, Shelley Tanaka, Susan Fletcher, Bonnie Christensen, Mary Quattlebaum, Rita Williams-Garcia, An Na.

Standing: April Lurie, Sharon Darrow, Uma Krishnaswami, me, Tom Birdseye, Alan Cumyn, Matt de la Pena, Betsy Partridge.

On leave:: Sarah Ellis, Tim Wynne-Jones, Jane Kurtz, Louise Hawes, Laura Kvasnosky,

Missing (ran into town for supplies?): Coe Booth, Mark Karlins, Amanda Jenkins.

I'm just now noticing how tall the men are that we hire on to the faculty! And the men not in the picture, Tim and Mark, are tall, too. Coincidence? I THINK NOT.

[Hmmmmm.......What could it mean?]





Friday, February 3, 2012

Poetry Friday: Atwood, Cats, Dogs, Primroses and Optimism



This poem says just about everything I felt when my husband announced, the other day, "Hey - it's February!" Well, maybe there's a little more Cat to it than would be my way - I prefer Dog. And I might not go for the part about the testicles. Or the part about eating our young. Come to think of it, this poem is a little scary. Atwood is nothing if not fierce and direct. But I'm all for those last couple of lines. One other quick thing: Primroses are showing up outside all the markets. Hooray!!



FEBRUARY 


Winter. Time to eat fat
and watch hockey. In the pewter mornings, the cat,   
a black fur sausage with yellow
Houdini eyes, jumps up on the bed and tries   
to get onto my head. It’s his
way of telling whether or not I’m dead.
If I’m not, he wants to be scratched; if I am   
He’ll think of something. He settles
on my chest, breathing his breath
of burped-up meat and musty sofas,
purring like a washboard. Some other tomcat,   
not yet a capon, has been spraying our front door,   
declaring war. It’s all about sex and territory,   
which are what will finish us off
in the long run. Some cat owners around here   
should snip a few testicles. If we wise   
hominids were sensible, we’d do that too,   
or eat our young, like sharks.
But it’s love that does us in. Over and over   
again, He shoots, he scores! and famine
crouches in the bedsheets, ambushing the pulsing   
eiderdown, and the windchill factor hits   
thirty below, and pollution pours
out of our chimneys to keep us warm.
February, month of despair,
with a skewered heart in the centre.
I think dire thoughts, and lust for French fries   
with a splash of vinegar.
Cat, enough of your greedy whining
and your small pink bumhole.
Off my face! You’re the life principle,
more or less, so get going
on a little optimism around here.
Get rid of death. Celebrate increase. Make it be spring.


Quick note for those of you who follow The Drift Record - I am part of another blog that's just started up (it's called Books Around the Table - check it out here) with Julie Paschkis, Laura Kvasnosky and Margaret Chodos-Irvine, all members of my kids book critique group (and all illustrators as well as writers - time for me to go to art school!)  We'll be posting thoughts about writing and illustrating, about critiquing, about kids books in general. Laura, Margaret and Julie P. have all contributed their first posts, and mine will be going up next Friday. Hope you will join us for conversation around the table.
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Poetry Friday today is being hosted by Karissa Knox Sorrell at The Iris Chronicles. Head over there to see what other people have posted.

Tuesday, January 24, 2012

The Perfect Room

Just for the record, I'd like to say I think this is just about a perfect room, even with the weird floor lamp on the right. I would be perfectly willing to be under house arrest in it, as long as my crime was not a violent one. And maybe I'd make sure first that there was a big window out to the garden. Which is probably a perfect garden, right? 




Friday, January 6, 2012

Poetry Friday: Into the Woods!

Origianl Broadway Cast - Into the Woods
Tomorrow I head across the country to my MFA-Writing for Children and Young Adults teaching residency at Vermont College of Fine Arts. A good portion of my lecture about fairy tales will involve Steven Sondheim's and James Lapine's wonderful musical, Into the Woods. So I offer up the lyrics today of the song which threads its way through that play. The lyrics change from the initial "Children must listen" to "Children should listen" - both of those in a scolding tone - to the haunting "Children will listen" - a message all of us who write for children should think about from time to time.  Of course, if you can listen to Bernadette Peters and the whole cast singing, it's much better heard than read. Here are some links: the first is Peters singing Children Will Listen; the second, the entire cast singing the final verses of Into the Woods, and the third is a neat little summary performance for the Tony Awards the year the play was nominated:


THE WITCH:

Careful the things you say,
Children will listen.
Careful the things you do,
Children will see.
And learn.

Guide them along the way,
Children will glisten.
Children will look to you
For which way to turn,
To learn what to be.

Careful before you say,
"Listen to me."
Children will listen.

ALL THE CAST:

Careful the wish you make,
Wishes are children.
Careful the path they take --
Wishes come true,
Not free.

Careful the spell you cast,
Not just on children.
Sometimes the spell may last
Past what you can see
And turn against you...

WITCH:

Careful the tale you tell.
That is the spell.
Children will listen...

ALL (in groups):

Though it's fearful,
Though it's deep, though it's dark
And though you may lose the path,
Though you may encounter wolves,
You can't just act,
You have to listen.
You can't just act,
You have to think.

There are always wolves,
There are always spells,
There are always beans,
Or a giant dwells
There,
So...

Into the woods you go again,
You have to every now and then.
Into the woods, no telling when,
Be ready for the journey.

Into the woods, but not too fast,
Or what you wish you lose at last.
Into the woods but mind the past.
Into the woods but mind the future.
Into the woods, but not to stray
Or tempt the Wolf
Or steal from the Giant.

The way is dark,
The light is dim,
But now there's you,
Me, her and him.
The chances look small,
The choices look grim,
But everything you learn there
Will help when you return there.....

[The cast is singing full force now, and the play ends with these lyrics:]

Into the woods -- you have to grope,
But that's the way you learn to cope.
Into the woods to find there's hope
Of getting through the journey.

Into the woods, each time you go,
There's more to learn of what you know.
Into the woods, but not too slow --
Into the woods, it's nearing midnight--
Into the woods to mind the Wolf,
To heed the Witch,
To honor the Giant,
To mind,
To heed,
To find,
To think,
To teach,
To join,
To go to the Festival!

Into the woods,
Into the woods,
Into the woods,
Then out of the woods--
And happy ever after!

CINDERELLA:

I wish!

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The Poetry Friday round-up is being hosted this week over at Teaching Authors. Head there to see what other people have posted. Vermont - here I come!